There's Something about the 'Cello: a Proms Interval Talk
(11th Aug 2011)
Listen again (thru the internet) to the discussion on the link below (until 18th Aug)
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiPuec9DauXh7h6cC8_y07Dr67SI2vPqkcWucJoORrHAS_Zxui0em9OL110_YNnqSDfhtTqpL9LNVdtcIs9EfkTC6y0Y-c_dGW6-kxa1QHH9J11bO9iS16BhzaNJogsUypoDTaRfPCfLOA/s1600/radio3+logo.gif)
Ever since, he's been struck by how often people comment, 'I wish I'd played the ‘cello', with a yearning rarely displayed in connection with other instruments. Is it because its range and tone is closer to the human voice than any other instrument, or is it the heartstring-tugging repertoire that's grown up around it? Or is it something...."primal"?
Lars seeks the answer in the company of Julian Lloyd Webber who, immediately after the interval, will be playing a newly re-discovered piece for the ‘cello, Invocation, by Gustav Holst, followed by Elgar's universally-acclaimed Enigma Variations. And Graham Fitkin, whose newly composed ‘Cello Concerto for Yo-Yo Ma will be premiered in Prom 61 on 31 August, discusses the merits of the ‘cello and the problems it poses for the composer.
http://www.bbc.co.uk/iplayer/episode/b0132pkp/Twenty_Minutes_Theres_Something_about_the_Cello/
http://www.bbc.co.uk/iplayer/episode/b0132pkp/Twenty_Minutes_Theres_Something_about_the_Cello/
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